Built to Spill Ancient Melodies of the Future Review
| Built to Spill Ancient Melodies of the Hereafter Genres: Alternative Rock, Pop, Rock
With a band like Congenital to Spill, the fundamental to success is to chart a form through the future that mirrors the past. Built to Spill may exist on a major label, but its linchpin, front man Doug Martsch, still writes all vocal par...more » ts himself and has a large hand in every album'southward product from first to finish. Martsch assembles the players--drummer Scott Plouf and bassist Brett Nelson--to have their parts in the studio and on tour, but he still holds all the musical cards. Equally a outcome, the Boise, Idaho-based trio sounds pretty much the same on Ancient Melodies of the Future as it did on 1997'due south Perfect from Now On and 1999's Go along It Like a Hugger-mugger. That said, though, why change a winning formula? Martsch's mix of wry sense of humor, Neil Young-influenced rock, and soaring indie-pop ballads has garnered him a Guided past Voices-like cult following that this album is in no danger of turning away. "In Your Mind" is the standout track, with Martsch'southward fitting assertion that "No 1 tin can tell me to mind / No one can tell me what'south correct / because nobody has my permission / and no 1 can see in your mind." The other tracks are tried and true BTS fare, bending guitar effects around straight-ahead rock ("Trimmed and Called-for") or layering warm melodies atop Martsch's elliptical lyrics. Indie-rock fans looking for something wildly divergent or refreshingly different won't find either on Ancient Melodies, but those looking for a linear extension of BTS's by works should find a happy resistance to change in this latest release. --Jennifer Maerz « less |
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With a band like Built to Spill, the key to success is to chart a form through the future that mirrors the by. Built to Spill may exist on a major label, but its linchpin, front human Doug Martsch, still writes all vocal parts himself and has a large mitt in every anthology's product from start to end. Martsch assembles the players--drummer Scott Plouf and bassist Brett Nelson--to have their parts in the studio and on bout, just he however holds all the musical cards. As a result, the Boise, Idaho-based trio sounds pretty much the aforementioned on Ancient Melodies of the Future every bit it did on 1997's Perfect from Now On and 1999's Go on It Similar a Secret. That said, though, why change a winning formula? Martsch's mix of wry humor, Neil Young-influenced rock, and soaring indie-pop ballads has garnered him a Guided by Voices-like cult following that this album is in no danger of turning away. "In Your Listen" is the standout track, with Martsch's plumbing equipment exclamation that "No one can tell me to listen / No one tin tell me what's correct / considering nobody has my permission / and no one can see in your heed." The other tracks are tried and true BTS fare, bending guitar effects around straight-ahead rock ("Trimmed and Called-for") or layering warm melodies atop Martsch's elliptical lyrics. Indie-rock fans looking for something wildly divergent or refreshingly unlike won't discover either on Ancient Melodies, but those looking for a linear extension of BTS's past works should notice a happy resistance to change in this latest release. --Jennifer Maerz
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Mike M. from SEATTLE, WA
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Sweetness pop from a guy with a beard.
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CD Reviews
Another first-class album
sceldred | 07/11/2001
(five out of five stars)
"In truth, my rating would take been more than like four.v. This album is very, very adept, but I was expecting fifty-fifty more from Built to Spill. The songs limited a sort of nostalgia for BTS'south days as a more lo-fi, harsher sounding grouping. The fabulous studio product is still there, merely some of the songs, particularly the opener, "Strange", sound like they might fit well on earlier albums, like There's Nada Wrong with Love. Nonetheless, every vocal on this CD is a pretty skilful and interesting listen. Like other BTS CDs, you need to requite the nuances of Doug Martsch'south guitar playing time to sink in. I listened to it about 5 times today, and I've liked information technology more every time, so mayhap if I was writing the review in a week, information technology would be a total 5 stars. Either way, Aboriginal Melodies of the Future is an appropriate proper name considering of some of these songs' resemblence to BTS's earlier work, as well as the fact that at that place are none of the sprawling, swirling epics that equanimous Perfect from Now On. The musicianship hither is excellent every bit always, and in typical BTS style, at that place is a lot happening in every song to keep your ears busy. It may not be QUITE at the same level as Keep It Like a Secret or Perfect From Now On in my opinion, just it is still first-class stuff. Definitely i of my favorites of 2001."
New bts...
07/19/2001
(3 out of 5 stars)
"the new bts is, i call up, the "to the lowest degree skilful" of all their cds. i say "least good" non to be evasive or awkward, but just to grant that while i don't recall it'due south bts' all-time effort, information technology is yet a good record, better than most music out there. still, if i hadn't heard bts before, this probably would not make me a rabid fan. merely i guess in guild to brand a statement like that, i have to establish a frame of reference. upward to this point, i think the two best records (i won't say which is meliorate because they are and then unlike) have been there's nothing wrong with love and perfect from at present on. the least-skillful being ultimate alternative wavers. the problem with this album is that it is remarkably unremarkable. in that location'south almost zilch special about this album. songwise, it's closer to perfect from now on than others, as all the songs are tiresome and melodic. but it lacks the booming guitar and musical variations that made pfno such a brialliant record. as another review said earlier, y'all know what the song will audio like inside thirty seconds. the album's highlights, i recollect, are "alarmed," "trimmed and burning," "y'all are" and "the atmospheric condition." the weather is an a-typical bts song, a more straightforward love song than they've done since the normal years. it'south a beautiful song, and really savest the record from mediocrity. generally, this album is proficient, merely information technology tastes watered downward, like in that location'due south something missing, something diluted virtually the sound. certainly you can sense what is behind it, and built to spill is withal a slap-up band. so i capeesh it because it'due south bts and even boilerplate bts is notwithstanding really proficient. i call back their own line from the album sums it up: "equally long as it'south talking with you, talk of the atmospheric condition will do.""
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